I believe I mentioned some time ago that I was working on a thriller type novel, featuring an FBI agent and a cast of characters to support/impede her in her investigations. I’m not saying more than that, because projects come and projects go, but here are a few things I’ve learned so far about writing this type of story.
It can’t stop moving! They don’t call them “action” films for nothing, do they? Every chapter has to have something in it that involves a threat, a chase, some real danger, an amazing development, something that gives a sense of moving. Forward, sideways, or backwards, that’s up to where the plot is going at this point, but it has to keep moving.
Act one is going to miss a lot of stuff in the first draft. I have a string of notes to myself reminding me to be sure to put in character or development or background or all three in the first part of the book. I’m somewhere in act II, but I don’t expect this to stop happening. I don’t think I can adequately draft the thing until I’ve gotten to “The End” for the first time. I hope that my experiences with previous projects will cut down the total number of revisions somewhat, but there will be plenty, that’s for sure.
Characterization is presented in a lot of little ways. Does she like sushi? Does she hate Game of Thrones? (Example only. GOT does not exist in the world I’m creating.) How does she react in a given situation? How is she with dogs, cats, birds, zoo animals, other drivers, her boss, her co-workers? There is no room in this sort of story for more than minimal descriptions, and even then it has to be through the character’s prejudices. Cool, huh?
As I learn more about this new for me genre, I’ll post more about it. I, for one, am looking forward to reading this book!