I know, I know, why isn’t this original? For the second week in a row? Well, two things. First, this guy (drat him) has done it again. This link goes to a marvelous article!
Second, when you’re done with his marvelous article, come back here and you’ll find my commentary on the same following below. So, neener neener, it is original after all! Take that, doubters!
I know. I know. Already I feel you pulling away. I sense you tensing up, like a flicked sphincter. You’re mad. I can see you’re mad. I get it, you have ideas, and ideas are the backbone…
See what I mean? Sure, he can be crude, but damitol (a generic mood improving drug, you know) he’s sharp as a tack. And, if you ever sat on a tack in first grade, you know that those things are sharp!
What Chuck writes about (I’ve never met him, but I call him Chuck here, ’cause what’s he gonna do about it? It is his name!) is the fact that our ideas are just ideas. I’ve read that there are only nine plots, really. Or even five. Or even only one plot. You know the drill. Some ordinary person gets thrown into a set of ever wilder circumstances. They try a solution that makes it worse, and again, and again, until, well, you know. What makes you unique is how you relate that plot. The characters, are they compelling? The danger, is it high enough? The stakes, are they worth the trouble? You know all that, so I’m not going to belabor (belabour?) the point. Just pick a plot and run with it. Remember your tropes. Have fun!
What struck me about saying that our ideas are not that interesting is that it is a good reason why you should not worry about somebody stealing your latest story if you happen to show it around, and becoming rich off of it. For one thing, I doubt if you need more than your fingers and a few toes to count the total number of rich authors in the world. For another, it’s mediocre. How do I know? For all the reasons Chuck <grin> lists. And, remember, ideas are not copyrightable, so if you do see something similar, it’s because ideas tend to be “in the air” at various times, and nothing more. There are not a lot of instances of actual plagiarism, or story stealing if you will, in a typical year. The trick, like Chuck says, is to work your particular version of magic on the ideas and make the story wonderful.